Showing posts with label accessories. Show all posts
Showing posts with label accessories. Show all posts

Friday, December 29, 2017

Curtain-Along Gown

Back in 2013, I was utterly charmed by the curtain-along gown, hosted by Festive Attyre. It was so neat to see everyone in their gowns, how widely the print could be used across the decades! It wasn't until I saw Amanda's dress-in-a-day gown, however, (which I found months after the dress was posted) that I decided I need to join in. I kept an eye on Amazon and finally picked up some curtain panels, 3 cream and 1 black. (I'm still on the hunt for 2 more black panels, just so you know...)

#curtainalong gown is nearly finished! Just needs a hem :)

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I don't remember the timeline on this anymore. I started sewing it while I was watching The Amazing Race on cable TV, intending to hand-sew the entire thing -- my first 100% handsewn gown -- and see how long it would take. I'm pretty sure it was 2014, with a push of finishing in 2015, where it sat without a hem for another 2 years. I initially wasn't going to take it to Costume College, feeling that I didn't have time to finish the hemming, but I did end up taking it, and hemming it on Thursday in between my limited class and the opening of registration. I wore it on Saturday of Costume College.

Because it's been so long since I started, I'm not really sure what some of my thought processes were. My petticoat was weirdly long, puddling on the floor at my feet. When I tried it on over a bum pad, the back length was fine, but the front was still too long. I pinned it up and gave it a really fast hem, trying to angle in nearly 4" of fabric at center front. (I need to take that out and do it properly!)


The cat liked it though. Hiding under skirts is his favourite!

The gown hem is also much deeper at front than sides or back, but because it's open, it was a lot easier to do.

I had fitted it over a pair of stays with a stomacher. I used the Reconstructing History pattern as the bodice base, with guidance from The Fashionable Past for construction, and Gown #3 in Costume Close-up for the sleeve, trimming, and skirt tying-up placement. The trim was cut with pinking shears and gathered by hand before being applied.


And how long did it take to hand-sew? Not that long. I can't even estimate for this one since it took so long to do it, but my recent hand-sewn gown was done (sans petticoat) in a week of mostly 3-4 hour chunks.


The Facts:

Material:
100% cotton

Pattern: Started out in life as Reconstructing History 822

Year: 1770-ish

Notions: cotton thread

How historically accurate is it? I would probably pass in-period

Hours to complete: at a guess, 30-40.

First worn: July 29, 2017 at Costume College

Total cost: $50 CDN

Sunday, August 14, 2016

HSM '16: #2 Tucks and Pleating: Market Hat

At the end of January, I got an opportunity to volunteer for a local Regency event, to which I enthusiastically agreed shortly into February. I immediately started planning my gown, wanting to both wear my new stays, and also not wear last year's gown for the 4th time in a row. Not the least because last year's gown has a lower back, and my stays would be very visible over the neckline. Oops?

I wondered how I could possibly fit my gown and/or accessories into the challenge theme. It only occurred to me late in the month that the pleating required to fit the skirt width into the center back would absolutely qualify, because up until then, I had already started another item that was "done enough" to also work. And, I think, be more suitable, since the challenge info states "make a garment that features tucks and pleating for the shape or decoration", and this item is most definitely shaped by the pleats.

Introducing: The Market Hat!

You've likely seen some version of this hat around the internet before. I first saw it way back in summer 2013, in photos of the Curtain-Along meet-up at Costume College that year. Oh, what a lovely hat Loren wore! Then, in 2014, I realized I needed a similar hat in order to recreate an art piece for the Art Challenge (which I still have yet to complete). Where could I find a pattern for such an enchanting object?

At the time there wasn't many. I scoured the internet and came up with a few ideas -- Kannik's Korner has a similar item, that I could probably use to suit my needs, and The Sign of the Golden Scissors. But, both of them seemed awfully expensive at the time, especially since I couldn't find shipping rates. I thought I might get around to developing my own pattern, if I ever decided on what I was actually looking at. I had a hard time imagining the 3D object laid out like a 2D pattern, so I put off thinking about it for a long, long time.

I did not get around to drafting one. My chosen pattern was not any less expensive, but several factors made it the best option. Maggie of Undressing the Historical Lady put out a pattern in between these two in cost, and unlike the others, was a print-at-home pattern, so at least I wouldn't have to pay shipping! That pushed into the "best option" category, in fact, and I bought it last summer when the exchange rate was sliiiiightly more reasonable than it is now.

I tried to look at options for the brim board at Michael's, but all I could find was a humongous sheet of material that I didn't feel comfortable purchasing, even if I used a coupon. It was 24" x 36" and I only needed a fraction of that. I used a found-item from work that would otherwise have been recycled, sheets of super thin cardboard that came on top of a stack of loose paper to protect it. But since they were only 8.5" x 11", I had to use several sheets (three, in fact) to get a piece wide enough and stable enough to go into the brim. And even though I followed the directions for the brim, pressing in my seam allowances and stitching by hand, my brim board was just too big to fit into it. I had to trim and trim and trim until I could stitch up the seam allowance for the caul to attach to. (I take full responsibility for this issue. The pattern pieces fit just fine together, and I think my board ended up being thicker than the recommended material which took away from the fabric too much.)

The caul's shape, as directed in the pattern, is achieved entirely by pleating. One could theoretically play with the pleats, how many and how deep, to achieve a different look. I have 9 pleats on either side of a central box pleat. And then I immediately had to run to the mirror to try it on!


It's been languishing ever since, waiting for the final two steps (finishing the caul/brim seam and then decorating), but I would not feel bad about wearing it should the need arise at this exact moment. I used some of the leftover fabric, actually in a separate cut, for one of my accessories for my ball outfit, but saved the rest from this cut to make a "ribbon" to decorate with. Partly complicated by the fact that I could not find my pinking shears for most of the month. They had decided, for the last 6 months, to make their home with my partner-in-crime.

And since this post is ONLY 6 months late (HA!), it still hasn't been finished... and I've misplaced the spare fabric... but I could still totally wear it right this moment!

The Challenge: #2 Tucks & Pleats
Fabric: 100% polyester
Pattern: 18th Century Bonnet/Market Hat
Year: late 18th century
Notions: thread, ribbon, bias tape, thin cardboard
How historically accurate is it?: Looks great! I don't know if this type of cardboard was being produced in-era, and we won't even touch polyester.
Hours to complete: 10 or so.
First worn: Not yet
Total cost: $27 CDN for the pattern, materials were all free-to-me! I would expect to spend roughly $30-$40 CDN (without the pattern) on this if I were to buy all new materials. Silk is difficult to get in Edmonton, and with the exchange rate being so poor right now, even "cheap" silk is expensive to ship in. Americans might be able to do this project for under $20 US.

Want to admire more market hats? Maggie's own market hat, which you can see on the Etsy listing, is also visible here at American Duchess; Lauren of American Duchess has a lovely one (this is more of a research page, so be sure to click through to entries at the beginning of July to see the finished item in action!); The Couture Courtesan has a beautiful piece made from her own pattern; Peryn's gorgeous hat (and dress); and so did Festive Attyre with Maggie's pattern. Got more? I'd love to see them! Even after looking at them all summer, I still think this hat is adorable!

1770's Riding Habit

I'm not precisely sure when I decided that I needed a riding habit, but once the idea was there, it needed to happen. It's been on ...